seeing cities more clearly: March 16 urban video workshop: Everyday Extraordinary

Video and photography are widely used in the practice of environmental design, but often shooting video or photographs is a way to avoid being truly present in the moment as we rapidly store images in our phones/cameras for future perusal.

What if we used the act of shooting video to actually be more observant and more bodily aware?

Global Urban Humanities is sponsoring a very interesting hands-on video workshop with Neil Goldberg, an artist we are bringing in from New York. He works in photography and video and is great at helping people connect with the everyday in new ways. He's an empathetic artist and a teacher who got rave reviews from our sister program, the UCLA Urban Humanities Initiative, where he has run several workshops.

This is not about documentary-making but rather about walking and seeing the city more clearly, so should be of interest to anyone who wants to observe cities more acutely.

Please share with folks you think might be interested. Spots are limited so people should sign up as soon as possible on Eventbrite.


Sponsored by the UC Berkeley Global Urban Humanities Initiative
Friday, March 16, 1-5pm
Free. Eventbrite registration required. Seats are limited and the workshop is expected to fill up quickly. Signup deadline March 9.
Open to UC Berkeley students and faculty from all departments.
Video technology has become ubiquitous, but it can seem as if the more time we spend looking through the lens of the camera the less, in a certain way, we actually see. This workshop draws on artistic traditions of street photography and walking the city and seeks to unleash video's potential to heighten our experience of our immediate surroundings.
Through a series of writing, photographic, and video exercises, participants learn to identify and engage with aspects of everyday experience that might otherwise go overlooked or unnoticed.The class also will also focus attention on the formal properties of video; composition, framing, camera movement; so that participants might harness these more thoughtfully and effectively in their video work.
Participants will use their own camera phones, though the principles learned will apply just as well to high-end professional equipment. This workshop is designed for anyone who wants to improve their ability to perceive the everyday life of cities, including artists, performers, architects, city planners, anthropologists, geographers, and others.

Neil Goldberg makes visual art and performance work that focuses on embodiment, sensing, mortality and the everyday. He has shown this work at MoMA (where it's part of the permanent collection), The New Museum, The Museum of the City of New York, The Kitchen, and elsewhere. He is a Guggenheim Fellow and teaches at the Yale School of Art. The NY Times described his work as “tender, moving and sad but also deeply funny," and Time Out New York wrote “Goldberg has produced some of the most quietly intense and affecting art of his generation.”
Then & Now & Then, a commission for the permanent exhibition New York At Its Core at the Museum of the City of New York, in which he talked with dozens of New Yorkers about their visions for the future of the City. From those conversations, he produced an endless loop of reflections on change, mortality, nostalgia, complaint, hope, and fear.
Surfacing, a 15-minute video that stitches together images of passengers emerging from the New York City Subway into the tumult of the street. Vulnerability, perplexity, disorientation, and recovery play out on the faces of strangers, evoking unexpected empathy from the attentive viewer. In one iteration, the video was displayed on giant screens in Times Square. 
Wind Tunnel, a 39-minute video exploring the microclimates of the New York subway through wind patterns including the blast of air from an incoming train that plays out through the hair of at the Bedford Avenue stop of the L train.
The Gay Couples of Whole Foods, a series of 45 inkjet prints in which Goldberg explores his ambivalence about his experiences shopping at Whole Foods as part of a gay couple, uneasy with performing a branding role for the upscale grocery store. In this typological study, he photographs pairs of men he assumes to be gay couples emerging from a local Whole Foods.
Hallelujah Anyway  No. 4, a video composed from several days of observing elderly passengers on the M15 bus in Manhattan. In each shot an arm enters the frame, grabs the railing, and hoists a person into view with great effort: a mundane act with a monumental quality.